Scarecrow unfolds across three stages: performance, photography, experimental music, and alternative process. Family histories are carried, repeated and quietly transformed across generations within domestic rituals and private emotional landscapes. Documented in video, the performers’ bodies become a vessel for lived and inherited trauma. Photography captures stillness as a way to freeze memory, and archival family photographs appear through sound and projection as traces of family history. The final stage involves physical manipulation of the image, how memory fractures and fades over time?

《稻草人》分三部分，融合表演、摄影、实验音乐和特殊工艺。家族史在日常中代代传承、重复、悄然改变。表演者的身体成了承载创伤载体；摄影定格记忆，老照片随音像浮现；最后通过操作照片，记忆是如何破碎与褪色？